Youtube summertime madness
If you like your thrillers cerebral and ambiguous, start here. It's about how cinema is inherently voyeuristic, and digs into post-war Britain's sexually repressed psyche. It's not your usual slasher, though there's a kinship between Peeping Tom and Psycho, which came out the same year. As he continues killing, the net starts to close around him. Mark Lewis, damaged by being experimented on by his psychologist dad, starts killing women and documenting everything he does on film. Critics hated it: Tribune magazine said that "the only really satisfactory way to dispose of Peeping Tom would be to shovel it up and flush it swiftly down the nearest sewer".īut Scorsese's advocacy led to a reappraisal of it as a dark masterpiece. It was too perverse, too sadistic, too strange. When Michael Powell's tale of an obsessive photographer came out, though, it was savaged, and pretty much stopped Powell's career dead. Martin Scorsese once said that the only two films anyone needed to see to understand directing were Federico Fellini's 8 1/2 and Peeping Tom. Did you go out and buy the book?' And Granny invariably says, 'Well, no, I didn't.' And I say to Granny, 'Then what the fuck good are you to me?'" His response? “'Listen, Granny: You love the movie. Ellroy is still approached by fans declaring their fondness for the film.
It was beaten to a few Oscars by Titanic but its popularity has endured. It’s a beautiful, fast-paced piece of cinema that fulfils all of your film noir expectations while still providing rich, nuanced characters and an intricately woven storyline. Confidential digs into the deep-seated corruption of the Los Angeles Police Department of the early 1950s. Confidential is the opposite.īased on the novel of the same name by James Ellroy, the greatest (and by extension, most nihilistic) crime scribe of our age, L.A. The late, great Curtis Hanson’s 1997 hit L.A. Ruben Fleischer’s 2013 shoot-em-up Gangster Squad is a good example of that. The genre – if you see it as such – relies on well-trodden conventions and tropes, and the directors who abide by them can too often veer into pastiche. There are many pitfalls that come with shooting a mid-century film noir in the here and now. In the first 38 days of release, Jaws sold 25 million tickets, and changed everything. "The film went from a Japanese Saturday matinee horror flick to more of a Hitchcock," he reflected later. The mechanical shark Steven Spielberg was hoping to shoot eating those people kept conking out, so by necessity he had to start shooting from the shark's point of view. Or it might be a film about a shark that keeps eating people. Depending on who you listen to, the shark that terrorises the beaches of Amity Island stands for communism, or Watergate, or sexual liberation, or American disillusionment, or the knowledge of death itself, or terrorism, or a hundred other things. After Jaws – and ever since – big movies opened in the summer, as wide as possible, and could make it bigger than anyone thought possible.
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Before Jaws, a hit movie came out around Christmas and opened in a few cinemas before going bigger. We’ve all grown so much as a family, and it feels great to see you guys and honor big bro at the same time,” Wright said.The original blockbuster, and a turning point in cinema history.
“It’s a labor of love, and I have so much gratitude to be a part of it and be able to share it with you,” Duke said of the sequel. “Black Panther” stars Lupita Nyong’o, Letitia Wright, Danai Gurira, Florence Kasumba and Winston Duke were then introduced by Coogler on the Comic-Con stage. “I promise you, I can feel his hand on me right now.”Ĭoogler also offered some information on the sequel, saying “it goes to new places in Wakanda that we haven’t seen before and it goes to new places in the Marvel Cinematic Universe.” I sat about there and we premiered the first footage from ‘Black Panther 1,’ and sitting next to me was our T’Challa, the late great Chadwick Boseman.”Ĭoogler shared that Boseman was squeezing the director’s shoulder while watching the first footage. “It’s going to be hard to follow that up, but we’ll try,” Coogler said. Boseman, who played lead T’Challa, died in August 2020 after a private, four-year battle with colon cancer. Writer-director Ryan Coogler, who helmed the first “Black Panther,” then took the stage to discuss the sequel, reflecting on the death of the series’ former star, Chadwick Boseman.